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Producing Dance: A Collaborative Art

Producing Dance: A Collaborative Art

9781718207868
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Description
Most dance production books are written from the perspective of a production manager or designer, focusing on the technical aspects of a traditional dance production.

Producing Dance takes a unique path—one that includes the voice of the choreographer and dancer in the journey to performance.

In doing so, the authors support the process of the entire creative team and cover all aspects of a production. They put those aspects in the context of real-world application, in sequence with other components, creating a toolbox for success for all involved. By the end of the book, readers will have discovered the many options available to them in the production setting and be able to choose the tool most needed at the time.

Critical Guidance That Sets This Book Apart
Through its collaborative approach, Producing Dance goes beyond the performance, covering evaluation, reflection, and opportunities for growth. And it offers guidance in two critical areas that are not addressed in other dance production books::
  • Creating dance performances in nontraditional spaces such as site-specific venues, dance and culture festivals, and audience-immersive experiences
  • Supporting the development of an artistic career through acquiring business skills such as fundraising, grant writing, and performing business analyses

Ancillaries
Producing Dance comes with an instructor guide, a test bank, a PowerPoint presentation package, and HKPropel Access. Through HKPropel, students will find supplemental content and study aids::
  • Application activities for each chapter, allowing students to practice the concepts discussed in the chapter
  • Real-world examples with explanations
  • Links to websites that further illustrate concepts
  • Virtual flash cards to help students study and retain key terms

Parts of the Book
The text is presented in four parts. Part I guides readers in balancing and integrating artistic ideas with logistical considerations to create a clear and unified vision. Part II explores the process of realizing that vision through a collaborative and creative process. In part III, the knowledge gained in the first two parts is put into action as performance takes center stage. In part IV, readers learn how to continue to grow beyond the performance through a variety of pathways that deepen understanding and open up future opportunities.

Realizing Vision
The journey from an idea to a fully produced vision can be daunting. Producing Dance makes that journey not only doable but also enjoyable. It provides readers the understanding and tools they need to realize their vision, explore and develop their voice, and further their growth and career development.

Note:: A code for accessing HKPropel is included with all new print books.
Product Details
100684
9781718207868
9781718207868

Data sheet

Publication date
2023
Issue number
1
Cover
paperback
Pages count
232
Weight (g)
771
  • Part I. Vision: Balancing Artistic Content and Production Realities

    Chapter 1. Vision and Collaboration in Dance Performance
    Early Dance Performances and Vision
    Performance Spaces
    Design Elements
    Summary

    Chapter 2. Artistic Vision
    Inspiration and Purpose Tied to Artistic Vision
    Audience
    Performance Spaces
    Research
    Creative Brief
    Summary

    Chapter 3. Logistical Considerations
    SWOT Analysis
    SWOT Application
    Financial Structure
    Collaborative Organizational Structures
    Arts Administration
    Summary

    Chapter 4. Getting Started
    Venues
    Funding
    Visibility
    Summary

    Part II. Process: Clarity Through Creation, Collaboration, and Conversations

    Chapter 5. Collaborators
    Organization of Roles
    Dance Collaborators
    Production Collaborators
    Defining a Collaborative Language
    Production Meetings
    Summary

    Chapter 6. Creation in the Studio
    Auditions
    Rehearsals
    Summary

    Chapter 7. Stage, Scenery, Props, and Lighting
    Stages
    Scenery and Props
    Lighting
    Summary

    Chapter 8. Sound, Digital Media, Costumes, and Makeup
    Sound
    Digital Media
    Costume and Makeup
    Summary

    Part III. Integration: Blending Vision and Process

    Chapter 9. Production Timeline
    Production Calendar
    Milestones
    Production Process
    Pulling the Timelines Together
    Creating a Gantt Chart
    Production Meetings
    Summary

    Chapter 10. Production Scope and Audience Experience
    Production Scope
    Audience Experience
    Summary

    Chapter 11. Integrating Elements Onstage
    Stage Considerations
    Scenery and Props
    Lighting
    Sound
    Digital Media
    Costumes
    Summary

    Part IV. Culmination: Performance and Beyond

    Chapter 12. Production Week
    Timeline
    Cue-to-Cue Rehearsal
    Technical (Tech) Rehearsal
    Dress Rehearsal
    Expecting the Unexpected
    Summary

    Chapter 13. Performance
    Front of House
    Backstage Crew
    Performers
    Strike
    Summary

    Chapter 14. Postmortem
    Technical Production Perspective
    Choreographer and Artistic Perspectives
    Mediators
    Feedback
    Now What?
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