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Music and Consciousness 2

Music and Consciousness 2

Worlds, Practices, Modalities

9780198804352
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Description
Consciousness has been described as one of the most mysterious things in the universe. Scientists, philosophers, and commentators from a whole range of disciplines cant seem to agree on what it is, generating a sizeable field of contemporary research known as consciousness studies. Following its forebear Music and Consciousness:: Philosophical, Psychological and Cultural Perspectives (OUP, 2011), this volume argues that music can provide a valuable route to understanding consciousness, and also that consciousness opens up new perspectives for the study of music. It argues that consciousness extends beyond the brain, and is fundamentally related to selves engaged in the world, culture, and society.The book brings together an interdisciplinary line up of authors covering topics as wide ranging as cognitive psychology, neuroscience, psychoanalysis, philosophy and phenomenology, aesthetics, sociology, ethnography, and performance studies and musical styles from classic to rock, trance to Daoism, jazz to tabla, and deep listening to free improvisation. Music and Consciousness 2 will be fasinating reading for those studying or working in the field of musicology, those researchingconsciousness as well as cultural theorists, psychologists, and philosophers.
Product Details
OUP Oxford
88264
9780198804352
9780198804352

Data sheet

Publication date
2019
Issue number
1
Cover
paperback
Pages count
352
Dimensions (mm)
171 x 246
Weight (g)
668
  • I. Music, consciousness, and the Four Es; Situated approaches to musical experience; Cognitive extension and musical consciousness; Music as affective scaffolding; Empathy and the ecology of musical consciousness; Feeling at one: Socio-affective distribution, vibe and dance music consciousness; Entangled: Strange loops of action, attention, awareness and affect in musical improvisation; II. Consciousness in musical practice; Performative passivity. Lessons on phenomenology and the extended musical mind with the Danish String Quartet; Music, Phenomenology, and the natural attitude: analysing Sibelius, thinking with Husserl, reflecting on Dennett; Practical time consciousness in musical performance; The interplay between conscious and subconscious processes during expert musical improvisation; Conscious and non-conscious aural perception in music performance: an embodied perspective; What kind of conscious activity is listening to music? A contribution from Theodor Adorno by way of psychoanalysis; III. Kinds of musical consciousness; Absorption and openness to experience: an everyday tale of traits, states and consciousness change with music; The impact of musical structure on enjoyment and absorptive listening states in trance music; Musical imagery and the temporality of consciousness; Dual consciousness and unconsciousness: the structure and spirituality of polymetric tabla compositions; (Un)consciousness? Music in the Daoist context of non-being;
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