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The Oxford Compendium of Visual Illusions
9780199794607
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Description
Visual illusions cut across academic divides and popular interests:: on the one hand, illusions provide entertainment as curious tricks of the eye; on the other hand, scientific research related to illusory phenomena has given generations of scientists and artists deep insights into the brain and principles of mind and consciousness. Numerous thinkers (including Aristotle, Descartes, Da Vinci, Escher, Goethe, Galileo, Helmholtz, Maxwell, Newton, and Wittgenstein) have been lured bythe apparent simplicity of illusions and the promise that illusory phenomena can elucidate the puzzling relationship between the physical world and our perceptual reality. Over the past thirty years, advances in imaging and electrophysiology has dramatically expanded the range of illusions and enablednew forms of analysis, thereby creating new and exciting ways to consider how the brain constructs our perceptual world.The Oxford Compendium of Visual Illusions is a collection of over one hundred chapters about illusions, displayed and discussed by the researchers who invented and conducted research on the illusions. Chapters include full-color images, associated videos, and extensive references. The book is divided into eleven sections:: first, a presentation of general history and viewpoints on illusions, followed by sections on geometric, color, motion, space, faces, and cross-category illusions. The bookwill be of interest to vision scientists, neuroscientists, psychologists, physicists, philosophers, artists, designers, advertisers, and educators curious about applied aspects of visual perception and the brain.
Product Details
87816
9780199794607
9780199794607
Data sheet
- Publication date
- 2017
- Issue number
- 1
- Cover
- hard cover
- Pages count
- 834
- Dimensions (mm)
- 216 x 279
- Weight (g)
- 2540
- How to Use the Online Textbook; Introduction; Part I: Introductory General Chapters; 1. Early history of illusions; Nicholas J. Wade; 2. Cross-cultural Studies of Illusions; J.B. Dergowski; 3. Visual Illusion in a Comparative Perspective; Kazuo Fujita, Noriyuki Nakamura, and Sota Watanabe; 4. An Analysis of Theoretical Approaches to Geometrical-Optical Illusions; Barbara Gillam; 5. Visual Illusions in Action; Nicola Bruno; 6. Motion Illusions in Man and Machine; Cornelia Fermüller; 7. The Visual World as Illusion: The Ones We Know and the Ones We Dont; Stephen Grossberg; 8. Visual Illusions?; Jan Koenderink; 9. Why the Concept of Visual Illusions is Misleading; Dale Purves, William T. Wojtach, R. Beau Lotto; 10. Where have all the illusions gone? - A critique of the concept of illusion; Brian Rogers; Part II: Geometrical; 11. Weighted positional averaging in the illusions of the Müller-Lyer type; Aleksandr Bulatov; 12. The Bar Cross Ellipse Illusion; Gideon P. Caplovitz, Alex Boswell, and Kyle Killebrew; 13. The Spinning Ellipse Speed Illusion; Gideon Paul Caplovitz, Po-Jang Hsieh, Peter J. Kohler, and Katharine B. Porter; 14. The Ames-window illusion and its variations; Marcel de Heer and Thomas V. Papathomas; 15. Three-Dimensional Müller-Lyer Illusion: Theoretical and Practical Implications; Patricia R. DeLucia; 16. Why do Hills Look so Steep?; Frank H. Durgin and Zhi Li; 17. Shape from Smear: An Illusion of 3D Shape, Made by Finger-Painting with Noise; Roland W. Fleming and Daniel Holtmann-Rice; 18. Geometric-optical illusions under isoluminance?; Kai Hamburger, Thorsten Hansen, and Karl R. Gegenfurtner; 19. The Picture Surface Illusion: 3D Biases 2D; Sherief Hammad and John M. Kennedy; 20. Cast Shadow Illusions; Daniel Kersten and Pascal Mamassian; 21. Leaning Tower Illusion; Frederick A. A. Kingdom, Ali Yoonessi, and Elena Gheorghiu; 22. The Invisible Saddle, or the Cap-or-Cup Illusion; Jan Koenderink, Andrea van Doorn, and Johan Wagemans; 23. Symmetry and uprightness in visually-perceived shapes; Lydia Maniatis; 24. Bath Tub Illusion; Lydia Maniatis; 25. The Pitchroom Illusion: How High is Up?; Leonard Matin, Ethel Matin, Wenxun Li, Todd E. Hudson, and Adam Shavit; 26. Geometric Illusions in the Human Face and Body; Kazunori Morikawa; 27. Dynamic Illusory Size Contrast: enhanced relative size effects due to stimulus motion; Ryan E.B. Mruczek, Christopher D. Blair, Lars Strother, and Gideon P. Caplovitz; 28. Size Contrast and assimilation in the Delboeuf and Ebbinghaus illusions; Ryan E.B. Mruczek, Christopher D. Blair, Lars Strother, and Gideon P. Caplovitz; 29. The Occlusion, Configural Shape, and Shrinkage Illusions; Stephen E. Palmer and Karen B. Schloss; 30. Reverse-perspective art and objects - Illusions in depth and motion; Thomas V. Papathomas; 31. The New Moon Illusion; Brian Rogers and Stuart Anstis; 32. Geometrical errors are the cost of maintaining the luminance contrast polarity; Sergio Roncato; 33. Antigravity Slopes: A new type of visual illusion; Kokichi Sugihara; 34. The geometrical-optical illusions of J.J. Oppel; Dejan Todorovic; 35. Oppel-Kundt Illusion; Ji?i Wackermann; 36. The Shifted-Chessboard Pattern as Paradigm of the Exegesis of Geometrical-optical Illusions; Gerald Westheimer; Part III: Brightness/Lightness/Color; 37. A Layered Experience of Lightness and Color; Barton L. Anderson; 38. Color & luminance: afterimages, combinations and flicker; Stuart Anstis; 39. The White effect; Barbara Blakeslee and Mark E. McCourt; 40. The Dungeon Illusion; Paola Bressan and Peter Kramer; 41. The contrast contrast illusion; Charles Chubb, Joshua A. Solomon, and George Sperling; 42. Illusory Color Spread from Apparent Motion; Carol M. Cicerone and Donald D. Hoffman; 43. The reversed contrast Necker cube; Alessandra Galmonte and Tiziano Agostini; 44. Changing the Chevreul Illusion by a Background Luminance Ramp; Janos Geier and Mariann Hudak; 45. The curved grid non-illusions: eliminating Hermanns spots and Lingelbachs scintillation; Janos Geier and Mariann Hudak; 46. The Staircase Gelb Illusion; Alan Gilchrist; 47. The Breathing Light Illusion: illusory size and brightness variation induced by motion; Simone Gori, Enrico Giora, and D. Alan Stubbs; 48. Large Shift in Brightness Induced by Motion in Context; Sang Wook Hong; 49. The Chromatic Mach Card; Anya Hurlbert; 50. Colour Assimilation; Frederick A. A. Kingdom; 51. When light looks like paint; Frederick A. A. Kingdom; 52. The Scintillating Grid; Bernd Lingelbach; 53. Second-order Mach Bands, Chevreul, and Craik-OBrien-Cornsweet Illusions; Zhong-Lin Lu and George Sperling; 54. Vasarelys Nested Squares and the Alternating Brightness Star illusion; Susana Martinez-Conde and Stephen L. Macknik; 55. Grating Induction; Mark E. McCourt and Barbara Blakeslee; 56. Illusory variations in apparent dot brightness induced by density modulations; Jeffrey B. Mulligan; 57. On the Watercolor Illusion; Baingio Pinna; 58. The Chinese lantern illusion; Sergio Roncato, Sandro Bettella, and Clara Casco; 59. The Wedding Cake Illusion: Interaction of Geometric and Photometric Factors in Induced Contrast and Assimilation; Branka Spehar and Colin WG Clifford; 60. Filling-in between contours; Rob van Lier; 61. The glare effect; Daniele Zavagno and Olga Daneyko; Part IV: Motion-Based; 62. Improbable Illusory Contours; Barton L. Anderson; 63. Low-level motion illusions; Stuart Anstis; 64. High-level organization of motion: Ambiguous, Primed, Sliding, & Flashed; Stuart Anstis; 65. Backscroll illusion; Kiyoshi Fujimoto; 66. The Rotating Tilted Lines Illusion: rotation instead of expansion, a peculiar case of motion misperception; Simone Gori; 67. The enigmatic Enigma illusion; Kai Hamburger; 68. The Fraser-Wilcox illusion and its extension; Akiyoshi Kitaoka; 69. Induced motion; Jasmin Leveille and Arash Yazdanbakhsh; 70. The Freezing Rotation Illusion; Erika N. Lorincz and Max R. Dürsteler; 71. Second-order Reversed Phi; Zhong-Lin Lu and George Sperling; 72. Attention-generated apparent motion; Zhong-Lin Lu and George Sperling; 73. Two-stroke apparent motion; George Mather; 74. On the Pinna Illusion; Baingio Pinna; 75. Color Wagon Wheel; Arthur Shapiro; 76. The Aperture Problem: Illusions arising during the integration and segmentation of motion within and across apertures; Maggie Shiffrar; 77. Paths of Apparent Human Motion Follow Motor Constraints; Maggie Shiffrar and Christina Joseph; 78. The Motion Standstill Illusion; George Sperling, Son-Hee Lyu, Chia-Huei Tseng, and Zhong-Lin Lu; 79. Objectless Motion: The Pedestalled Motion Paradigm; George Sperling and Zhong-Lin Lu; 80. Silencing the awareness of change; Jordan W. Suchow and George A. Alvarez; 81. The Kayahara Silhouette Illusion; Nikolaus F. Troje; 82. The motion aftereffect; Frans A.J. Verstraten and Peter J. Bex; 83. High phi and ghost phi: Extreme motion illusions; Mark Wexler; 84. Stereokinetic phenomena; Mario Zanforlin; 85. Motion illusions in static patterns; Johannes M. Zanker; Part V: Faces; 86. The Venus Effect; Marco Bertamini and Richard Latto; 87. The Hollow-mask Illusion and Variations; Thomas V. Papathomas; 88. The Illusion of Sex; Richard Russell; 89. The Bogart Effect; Sharon Gilad-Gutnick, Rohan Varma, and Pawan Sinha; 90. The Presidential Illusion; Sharon Gilad-Gutnick and Pawan Sinha; 91. About Face: The Margaret Thatcher Illusion; Peter Thompson; 92. The Mona Lisa effect; Dejan Todorovic; 93. The Wobbling Face Illusion; Sayako Ueda and Akiyoshi Kitaoka; 94. Adaptation aftereffects in the perception of faces; Michael A. Webster; Part VI: Grouping and Organization; 95. Ambiguous Figures Moving Forward; Lori J. Bernstein; 96. The Scramble Illusion: Texture Metamers; Charles Chubb, Joseph Darcy, Michael S. Landy, John Econopouly, Jong-Ho Nam, Dan Bindman, and George Sperling; 97. Amodally completed angles; Walter Gerbino; 98. Subjective Contours; Barbara Gillam; 99. The Ternus Effect; Elisabeth Hein; 100. Two sinusoids: 6 - 1 perceptions; Jan Kremlacek; 101. The Illusions of Numerosity; Riccardo Luccio; 102. The Aperture Capture Illusion; Evan M. Palmer and Philip J. Kellman; Part VII: Attention; 103. Motion-induced blindness (MIB); Yoram Bonneh; 104. Inattentional blindness and the illusion of attention; Daniel J. Simons; Part VIII: Binocular Vision/Stereopsis; 105. Binocular rivalry: The illusion of disappearance; Randolph Blake; 106. Stereo Rotation Standstill and Related Illusions; Max R. Dürsteler and Erika N. Lorincz; 107. The graph-paper effect: a moving, illusory, stereoscopic texture; Mark Georgeson; Part IX: Adaptation; 108. Adaptation to brightness change, contours, jogging, and apparent motion; Stuart Anstis; 109. The Color Dove illusion- chromatic filling in effect following a spatial-temporal edge; Yuval Barkan and Hedva Spitzer; 110. Blur adaptation and induction; Michael A. Webster; Part X: Conflicting Scale or Other Information; 111. Hybrid Image Illusion; Aude Oliva and Philippe G. Schyns; 112. Contrast Asynchronies; Arthur Shapiro; 113. Hidden Images; Nicholas J. Wade; Part XI: Multisensory; 114. The three-dimensional Necker cube; Nicola Bruno; 115. The McGurk Effect and the Primacy of Multisensory Perception; James W. Dias, Theresa C. Cook, and Lawrence D. Rosenblum; Index;
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