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Managing Stage Fright
A Guide for Musicians and Music Teachers
9780190632038
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Description
Why is it that well-prepared, talented, hardworking, and intelligent performers find their performance and self-esteem undermined by the fear of memory slips, technique failures, and public humiliation? In Managing Stage Fright:: A Guide for Musicians and Music Teachers, author Julie Jaffee Nagel unravels these mysteries, taking the reader on an intensive backstage tour of the anxious performers emotions to explain why stage fright happens and what performers can do toincrease their comfort in the glare of the spotlight. Examining the topic from her interdisciplinary educational, theoretical, clinical, and personal perspectives, Nagel uses the music teacher/student relationship as a model for understanding the performance anxiety that affects musicians and non-musicians alike. Shedding new light on how the performers emotional life is connected to every other facet of their life, Managing Stage Fright encourages a deeper understanding of anxiety when performing. The guide offers strategies forachieving performance confidence, emphasizing the relevance of mental health in teaching and performing. Through the practices of self-awareness outlined in the book, Nagel demonstrates that it is possible and desirable for teachers to assist students in developing the coping skills and attitudes that will allow them to not feel overwhelmed and powerless when they experience strong anxiety. Each chapter contains insights that help teachers recognize the symptoms-obvious, subtle, and puzzling-of the emotional grip of stage fright, while offering practical guidelines that empower teachers to empowertheir students. The psychological concepts offered, when added to pedagogical techniques, are invaluable in music performance and in a variety of life situations since, after all, music lessons are life lessons.
Product Details
85179
9780190632038
9780190632038
Data sheet
- Publication date
- 2018
- Issue number
- 1
- Cover
- paperback
- Pages count
- 232
- Dimensions (mm)
- 140 x 210
- Weight (g)
- 259
- Figures; Preface; Acknowledgments; CHAPTER 1 - STAGE FRIGHT: WHAT IS IT?; Questions for Thought; Some General Considerations About Stage Fright; A Personal Reflection; Music Teachers as Mental Health Resources; Paradoxical Questions and Further Thoughts About Stage Fright; Yerkes-Dodson Law (Arc of Anxiety); Mental Preparation: Attitudes and Aptitudes; Talking and Listening to Students: Validating Feelings; Implications for Music Teachers; CHAPTER 2 - DELVING DEEPER INTO STAGE FRIGHT; Questions for Thought; Stage Fright: A Mind/Body Duet; Symptoms of Performance Anxiety; Discussing Performance Anxiety In Studio Class; Identifying Performance Anxiety Symptoms; Symptoms Chart; Two Activities; 1-Mood Ring; 2-Chill Out: Tools for Cool Students; Implications for Music Teachers; CHAPTER 3 - THE A B Cs OF STAGE FRIGHT; Questions for Thought; An A B C Model of Anxiety; Recap: A B C Model; Vignette: John; Actions for Teachers and Students; Activity 1-Identifying Letter B Responses; Activity 2-Letter B Cards (Supportive Self-Statements); Examples of Supportive Self-Statements; Implications for Teachers; CHAPTER 4 - SYMPTOMS VS. MANAGEMENT; Questions for Thought; Symptoms as Cues and Clues; Vignette: Cindy; Assessing Thoughts and Feelings; Talking About Stressors; Implications for Teachers; CHAPTER 5 - CONFLICT - A PARADOX; Questions for Thought; Paradox: Identifying Emotional Conflicts; Recognizing Conflicts; Dealing with Memory Slips and Technique Meltdowns; Jam Plan; Some Childhood Antecedents of Stage Fright; Additional Examples of Conflict; Vignette: Robert; Young Children (and Adults) Fill the Gaps; Additional Considerations About Conflict; Conflict Chart; Symptoms Chart; Implications for Teachers; CHAPTER 6 - THE EMOTIONAL FUEL BEHIND STAGE FRIGHT; Questions for Thought; Psychodynamic Model; Why Consider Psychodynamic Models of the Mind?; Mental Ghosts Haunting the Teaching Studio; The Mind Does Not Forget: the Unconscious; A Visual Model of the Unconscious; Figure 1 - Conceptual Diagram of the Unconscious; Revisiting Cindy; Transference; Shame; Countertransference; Multiple Function; Vignette: Joe; Psychological and Practical Tips; Imagine This.....; Implications for Teachers; CHAPTER 7 - DEFENDING AGAINST ANXIETY; Questions for Thought; Performance as a Danger Situation: Ego Defenses; The Ego and Its Defenses Against Anxiety; Table 1 - Typical Ego Defenses; Vignette: Mary; Table 2:Performance Anxiety Symptoms as Ego Defenses; (Letter B); A B C Model of Anxiety; Activity 1 - Recognizing Anxiety; Activity 2 - Relabeling Anxiety; Vignette: Cindys Cold Hands as Ego Defenses; Shame Masquerading as Resistance to Performance Anxiety; Shame on You!; A Fusion of Musical and Personal Identity; Helping Students Discover Their Ego Defenses; Implications for Teachers; CHAPTER 8 - LEARNING THEORY AND BEHAVIOR MODIFICATION; Questions for Thought; Learning Theories as Guidelines for Teachers; Classical Conditioning; Operant Conditioning; Implications for Teachers; CHAPTER 9 - COGNITIVE BEHVIOR THERAPY, RATIONAL EMOTIVE THERAPY, AND LETTER B; Questions for Teachers; What Is Cognitive Behavior Therapy (CBT)?; An Example of Cognitive Relabeling Stage Fright Responses; Two Activities With A B C Model; Activity 1 - A B C Recognizing Anxiety Responses; Activity 2 - Rethinking and Relabeling Anxiety Responses; Neuropsychology and Brain Imagining; Beta Blockers and Performance Anxiety; Evidence-Based Claims for Reducing Performance Anxiety; Implications for Teachers; CHAPTER 10 - PERFORMANCE ANXIETY BEGINS IN THE NURSERY; Questions for Thought; Teachers As New Parents: Developmental Issues; Human Development and Performance Anxiety; Elaboration of Eriksons Eight Stages in the Life Cycle; Stage One: Trust vs. Mistrust; Implications for Teachers; Stage Two: Autonomy vs. Shame and Doubt; Implications for Teachers; Stage Three: Initiative vs. Guilt and; Stage Four: Industry vs. Inferiority; Anxiety Alerts for Teachers!!!!!; Young Children; Middle School-Aged Children; Implications for Teachers; Stage Five: Identity vs. Identity Confusion; Anxiety Alerts for Teachers!!!!; Adolescents; Implications for Teachers; Stage Six: Intimacy vs. Isolation; Implications for Teachers; Stage Seven: Generativity vs. Stagnation; Implications for Teachers; Stage Eight: Integrity vs. Despair; Implications for Teachers; Recap: Developmental Stages and Stage Fright; Additional Implications for Teachers; CHAPTER 11 - A VIRTUAL RECITAL: A SYNTHESIS; Questions for Thought; Susan: How to Understand and Handle Performance Anxiety; Concepts for the Teacher to Convey to Susan, The Recitalist; Plan for Teacher; Format of Virtual Recital; The Recital; Implications for Teacher and Recitalist; CHAPTER 12 - RECAPITULATION AND FINALE; Questions for Thought; Putting it All Together; Performance Anxiety is More Than Symptoms; Stigmas, Caution, and Optimism; Tuning In To Students and Tune Ups for Teachers; Interdisciplinary Collaboration; Criteria for Making A Referral for Professional Help; Music School Curriculum; Coda: Summary of Implications for Recognizing and Teaching Anxiety Reduction; Uniqueness of Music Teachers Role; CHAPTER 13 - DA CAPO: BACK TO THE BEGINNING; GLOSSARY OF PSYCHOLOGICAL TERMS USED IN THE TEXT; ILLUSTRATIVE READINGS ON PERFORMANCE ANXIETY; INDEX;
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